Thursday, January 30, 2020

Auditions are a week from today!

AUDITIONS!
THURSDAY, FEBRUARY 6, 6 – 9 PM
SAVILLE THEATRE

Seeking actors of all ages, races, and gender identities. No experience necessary. All cast members must enroll in a City College production class.
Prepare a one-two minute contemporary monologue and 32 bars of a song. Bring sheet music in the correct key or digital device and output that contains your accompaniment.
5th Annual Festival of New Plays
Original scripts by City College Students
Directed by Farrell Foreman and Kate Neff Stone
World premiere plays written by students from San Diego City College’s Drama Program take the stage! Committed to exercising the craft of playwriting through process and production, the festival is now in its fifth year. Be amongst the first to experience some of the most original and groundbreaking new voices of the San Diego theatre scene.
Performance dates: March 5 – 14 | Rehearsal days and times are TBD
Urinetown: The Musical
By Mark Hollman and Greg Kotis
Directed by Katie Rodda and Choreographed by Kristin Arcidiacono
Musical Direction by Michael Farley
(Yeah, we know, it’s a terrible title.) When a water shortage has led to a government-enforced ban on private toilets, the citizens must use public amenities, regulated by a single evil company that charges inflated fees for people to take care of their most basic need. Hero Bobby Strong leads a revolution to overtake the evil empire and allow everyone to be able to pee freely. Urinetown is a musical satire of the legal system, capitalism, bureaucracy, and musical theatre itself.
Performance dates: April 17 – 26 | Rehearsals will be held M-Th, 3:30 – 6:30

See the Facebook event page for more details.

Contact Katie Rodda at krodda@sdccd.edu with questions.

For more information: http://citycollegetheatre.blogspot.com/
Additional questions: Katie Rodda, krodda@sdccd.edu, 619/388-3088.

Production help needed for San Diego Pride


San Diego Pride is looking for entertainment (production) volunteers with a background in stage management / production to help at our annual Pride Festival.  San Diego Pride 2020 Festival is Saturday and Sunday, July 18 and 19, 2020.
·  Saturday, July 18, 11:00 am to 10:00 pm
·  Sunday, July 19, 11:00 am to 9:00 pm
We have four stages, going both days.  Each stage has a stage manager and assistant stage manager to help coordinate the day. 
·  Stonewall Stage - is the centerpiece of the Festival with headliner entertainment both days.
·  Mundo Latino Stage - It's musica, Latina en espanol with Rock en espanol, DJs, folkloric dancing y mucho mas.
·  Movement Hip-Hop Stage - It's hip-hop, soul, and R&B.
·  Euphoria Stage - DJs all day.
San Diego Pride is looking for volunteer stage management help for the weekend. 

Should you have any questions or would like additional information, please do not hesitate to contact me.  While I know it's last minute, we are having an ENTERTAINMENT VOLUNTEER INFORMATION SESSION / OPEN HOUSE   https://www.facebook.com/events/525581754704912/  this Saturday, February 1.

Together We Rise,

Robert J. Leyh
[pronouns: he/him/his]

Programs Manager
San Diego Pride
Office: 619.297-7683 / Cell: 858.210-0987


Sunday, January 19, 2020

Plays selected for the New Play Festival!

Congratulations to the playwrights whose plays were selected for the 5th annual New Play Festival, to take place March 5 - 14 in the Black Box Theatre. 

The Reflection by Raghad Albawab
Sami is a young refugee pondering his status in this country and how to cope with the perceptions of everyday folks.

The Secret to Happiness by Masiti Ahmed 
Daniella is unhappy and lonely.  She sings in her backyard, and she receives an answer from an unlikely source.

Just Doin' My Job Here by Stephanie Crane 
Two aliens from another planet decide to abduct an earthing. The problem is they have no idea what they are doing.  Good Luck!

Dance with the Devil by Angela Englehart 
In a modern alleyway, Myra, a demon hell-bent on acquiring a fresh soul, has set her sights on Shellie, a woman looking for a big break in her singing career— their conversation takes a turn when Shellie turns out to be a savvy contract negotiator.

To Drive a Rock by Farrell J. Foreman
Luis and Maria were separated from their parents at the southern border. They have not seen each other in years and their reunion is a glimpse into our future.

Three Blocks to the Subway by Jose Gonzales   
In Harlem, New York, in 1965, two men walk the sidewalk on their way from Malcom X’s speech, discussing the state of the world and having a chance encounter with police.

The Rose Hedge by Miranda Rivera 
It’s Springtime in England, 1901, and two close female friends, one of whom is about to be married to the other’s brother, meet to talk— but the conversation reveals a love that is much closer than the love between the future husband and wife.